|
Artist's statement
My work explores contrast, tension and the natural beauty of glass.
The light, colour and organic nature of glass are set against the
weight of stone, the hardness of steel, the texture of rust, the
threat of gravity. Shattered surface patterns on exquisitely finished
forms, hard lines through soft textures; the tension creates dramatic
sculptural statements.
The marriage of disparate or unlikely elements, sometimes stark,
sometimes complex and multi-layered, can create a sophisticated
balance, a strange harmony.
I am continually exploring, striving to uncover qualities intrinsic
in the glass and myself in order to heighten the impact of each
piece.
back to top
Influences
Wynne draws inspiration from painting, ceramics, sculpture, the
Surrealist movement and early twentieth century French glass. The
textures and colours of the australian landscape also appear throughout
the work.
Wynne is uncomfortable in any particular genre or "style",
preferring to provoke and explore the fringes. He is restlessly
trying new finishes and approaches, using each major exhibition
as an opportunity to explore some new territory.
back to top
Iridescence
Shimmering surface treatments and more recently the rich opalescent
effect of dichroic within the glass are a significant feature of
Wynne's body of work.
His use of tin oxide sprayed on the surface of vessels gives his
sleek leaning vessels an art nouveau, peacock gleam. As Norris loannou,
the noted historian of Australian studio glass, comments "The
influences of art nouveau, especially Louis Tiffany .... is evident
in his iridised vessels with their refinement of form, surface patterning
and colouring."
back to top
Surface decoration
Wynne's work is characterised by the surface decoration, often extraordinarily
detailed. Using different layers of colour in the glass surface,
iridescent and metallic finishes and sophisticated sand-blasting
techniques, he is able to create dramatic and striking effects.
back to top
Gravity
Wynne often plays with gravity, creating large, beautiful glass
vessels, leaning dangerously, tantalisingly beyond what they should,
or so it seems. The tension draws the viewer and engages them, the
effect is dynamic and exciting.
back to top
|